Mari Eriksmoen | Mari Eriksmoen - official website
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«Eriksmoen was met with great critical acclaim for her Pamina in Aix»


«Round, delicate and with a delicious timbre. Mari Eriksmoen’s voice is a delight from start to finish!»
– Le Monde

«Mari Eriksmoen has the flexibility and freshness of Hanne. (Haydn/Jahrezeiten) A pure voice that sometimes sounds like Gundula Janowitz.»

«This Zerlina is the center of the show. Mari Eriksmoen plays and sings with her clear, flexible and wonderfully colored soprano.»

«Mari Eriksmoen was the queen of the night!»
Der neue merker

«Mari Eriksmoen is very convincing, with her bright, agile soprano. An ideal Zerlina!»
Die Presse


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Almost immediately on completion of her vocal studies in Oslo (Norwegian Academy of Music), Paris (Conservatoire National Superieur) and then Copenhagen (Royal Danish Academy of Opera), young Norwegian soprano Mari Eriksmoen found herself with a dream offer to sing Zerbinetta in Theater an der Wien’s production of Ariadne auf Naxos which marked the start of a close relationship with this major theatre. Eriksmoen’s frequent return visits to Vienna have included Olympia (Les contes d’Hoffmann), Euridice (Monteverdi’s L’Orfeo), Teti (Rossini’s Le nozze di Teti e di Peleo) and Rosina (Paisiello’s Il barbiere di Siviglia), and she attracted wide attention and received universal praise for her portrayals of Susanna, Zerlina and Fiordiligi in a cycle of Mozart’s Da Ponte operas together with the late Nikolaus Harnoncourt in performances broadcast throughout Europe on both radio and television. Other key appearances in recent seasons have included Pamina (Die Zauberflöte) at Festival d’Aix-en-Provence, at Opernhaus Zurich under Fabio Luisi, Blondchen (Die Entführung aus dem Serail) at Oper Frankfurt, Glyndebourne Festival and at the 2015 BBC Proms, and in a display of repertoire versatility Eriksmoen has also appeared as Waldvogel in Wagner’s Siegfried as part of Daniel Barenboim’s epic Ring Cycles at Teatro alla Scala.









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